My daughter's dance company just put on their annual production, and it was quite nice. Since our family moved last year before her recital in Virginia, its been two years since I was able to see her really perform. One trick she learned this year from her teachers was to have confidence and smile while dancing. It really made her start to glow up on stage, and display the fun she has performing.
I learned a lot this year while shooting dance. After shooting several years at my daughter's old studio I discovered the different challenges that come from choreography styles. In the old studio I could easily predict when a worthy frame was coming because I knew the style. They also used a smaller stage, so formations were tighter. Here the stage is larger, and the staff uses it. So it looks just as nice, but as a photographer I needed more zoom than I had to get the proper elements for a good frame. If you are going to shoot dance I will always recommend you attend a rehearsal or multiple shows before you have to get the captures you want to keep. This way you can know your subject, lighting and the choreographers style before the big dance. It just makes your subject and you look so much better in the end product.
That brings me to another point, lens choices for a concert or dance. I recently sold my 50-135 f2.8 zoom. On a crop it is a 75-203 zoom with a depth of field around 4-5.6. For this show it would be perfect. Since I had not replaced it yet, I was stuck with my excellent 60-250 F4, a 16-50 F2.8 and a set of primes. The F4 would not give me enough light to capture at the proper speed to blend motion and frozen faces I like. The 16-50 would not get me close enough this year. Some of my best photos in previous years came from my 50-135 and my 43...one was not there and the other would not get me close enough this year because of my location choice. So I shot with....a 100mm F2.8 macro! Great lens, but I was really out of my mind shooting dance with it.
A few more lessons to post this week...